Ronda 4.

Edit @RECORTE 005 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. On the low wooden sideboard at the back of the room, between the two small framed family photos on the left and the row of standing books on the right, there is a small standing figurine of a saint. Replace it with a third small framed family photo standing on the sideboard, the same size, frame style and warm tone as the two photo frames beside it. There must be NO religious image or symbol anywhere in the room. Everything else stays EXACTLY as in @RECORTE 005 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY that one figurine. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 005 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 085 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. The pizza box has misspelled red printed text: a line of red capital letters along the front edge of the box under the pizza, and another line of red letters along the front flap of the open lid at the bottom. Remove BOTH lines of text completely: those edges become plain brown kraft cardboard, with the same folds, scuffs and grease marks. Keep the small red-and-white checkered squares at the corners of the box and the red tape on the moving box underneath. The pizza, the hands and the people stay exactly the same. Everything else stays EXACTLY as in @RECORTE 085 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the printed text on the pizza box. Do not add any text, letters or logos anywhere. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 085 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 001 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. A view from straight above onto a child's bedroom floor. Replace ONLY the superhero action figure lying on its back on the floor tiles in the middle (red-and-blue suit with a brown cape, next to the little wooden blocks) with a soft PLUSH TOY of Puch, the Pizza Hut mascot, lying on its back in the same place and at the same size, seen from above like everything else. The character is the one in @PUCH ORIGINAL (use it ONLY for his head, face and proportions — NOT his black jacket): a white dog with a round domed head, full cheeks, a big black nose, round black eyes with a white highlight, soft floppy white ears, a red cap worn backwards, a yellow collar with a small red tag, and a red-and-black varsity jacket (red body, black sleeves). It is a real store-bought stuffed toy: soft short white fleece fur, embroidered eyes and nose, stitched seams, a little worn and squashed from being played with, with a soft contact shadow on the tiles. The other toys, the blocks, the toy cars, the basket and the rug stay exactly where they are. Everything else stays EXACTLY as in @RECORTE 001 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY that one toy. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 001 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 078 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. The waiter in black standing in the middle of the restaurant, serving the family in the booth, is the SAME waiter as in @MESERO 077 (use it for the waiter's apron and the two pizzas he carries; NOT its kitchen). Two changes only. 1) THE APRON: over his same black polo he wears the black bib apron of @MANDIL — matte black cotton, a tan leather-look neck strap and long tan waist ties knotted at his back with the ends hanging. Seen from behind and from his side, we mostly see the tan straps and the bow at his back, and a little of the black apron hanging in front of his thighs to just above the knee. 2) THE PIZZAS: the pizza he is setting down on the family's table becomes THE EXACT supreme pizza of @PIZZA SUPREMA , copied from that photo — chunks of meat, green bell pepper, red onion, mushroom and pepperoni, no olives, no red pepper — same size and same dark round board as now. The pizza he still holds up in his other hand stays the pepperoni pizza. Everything else stays EXACTLY as in @RECORTE 078 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the waiter's apron and the pizza he sets down. Do not add any text, letters or logos — only the apron as in the reference. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 078 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-058 FINAL . The man in the green shirt and glasses is holding a thin paper sheet that looks like a flyer. Replace it with a real restaurant menu, clearly LARGE: a sturdy laminated bifold Pizza Hut menu with a red cover, each page about as tall as his forearm is long, held open in both of his hands at chest height so it covers part of his chest, its inside pages showing appetising pizza photos, seen at an angle so nothing is readable. His hands, fingers and pose stay the same. Everything else stays EXACTLY as in @TF-058 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY what he holds. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-058 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-060 FINAL . Three changes only. 1) THE POURED DRINK: the man is pouring cola from the glass pitcher into a glass — the stream, the pitcher and the glass hold dark cola, deep brown with amber where the light passes through, with rising bubbles, a thin light-brown fizz head and ice cubes; the glass is cold with fine condensation droplets. Every drink glass on the table is cola with ice, bubbles and condensation — never a white, milky or cloudy liquid. 2) THE GLASSES: every glass on the table is the same plain, smooth, straight-sided clear tumbler — no cut, faceted, ribbed or patterned glass anywhere. 3) THE PIZZA is too big: make it a real large Pizza Hut pepperoni pizza in true proportion — about one and a half times the width of a dinner plate on the table, clearly narrower than the shoulders of the people seated behind it — on the same serving tray, which shrinks with it, held by the waiter's same hands, leaving plenty of white table visible around it. Everything else stays EXACTLY as in @TF-060 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the drinks, the glasses and the size of the pizza. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-060 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-063 FINAL . Three changes only. 1) THE PIZZA in the centre of the table is too big: make the pizza and its dark pan a real large Pizza Hut pizza in true proportion — about one and a half times the width of the side plates around it, in scale with the hands, glasses and wings — with the same toppings and the same missing slices; more of the white marble table shows around it. 2) THE BREADSTICKS on the checkered tray at the front right become deeper golden-brown and well baked, like @PALITROQUES — a buttery golden crust with darker toasted spots, never pale. 3) THE TWO SMALL DIP CUPS: the cup beside the wings stays white ranch dressing; the cup beside the breadsticks becomes a red bolognese meat sauce. Both cups are EXACTLY the same size and shape — small round white dip cups, the same as the ranch one. The cola glasses keep their ice, bubbles and condensation. Everything else stays EXACTLY as in @TF-063 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the size of the pizza, the colour of the breadsticks and the sauce in the cup beside them. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-063 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-071 FINAL . Two changes only. 1) THE OPEN PIZZA BOX on the table is far too big and looks like one flat sheet of cardboard. Make it a standard SQUARE Pizza Hut cardboard box sized for one large pizza — all four sides equal, a real BOX with low folded side walls about a finger tall around the base, and the lid open and standing up behind it with its own folded edge — and the pizza inside a real large pizza in true proportion to the mother's and the boy's hands and to the plates, filling the base with a small margin. Same pepperoni pizza, same slice she lifts with the same cheese pull; more of the wooden table shows around the box. 2) THE CLOSED RED BOX at the bottom right: its print is copied exactly from the closed red box of @TF-074 FINAL (use it ONLY for that box and its print): the "SABORES ÚNICOS" band, the line "QUE TE HARÁN SONREÍR" spelled exactly like that, with the accents on the Á and the Í, the round logo and the checker pattern. The red napkins, plates and glasses keep their place. Everything else stays EXACTLY as in @TF-071 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the open box with its pizza and the print on the red box. Do not add any other text, letters or logos — only the print of the red box copied from the reference. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-071 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 008 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. The cat asleep on the bed must be the SAME cat as in @GATO 050 — copy that exact cat (NOT its desk, laptop or lamp): a bright ginger-orange tabby with MEDIUM-length fur, clear darker orange stripes, a white chest and white paws — NOT long-haired, NOT a fluffy Persian or Maine Coon, NOT brownish. Curled up asleep in the same spot on the bed, the same size and pose, lit by the same soft dawn light of the room. Everything else stays EXACTLY as in @RECORTE 008 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the cat. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 008 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-018 FINAL . This office kitchen is the same room as @FONDO 021 , which shows it wide (use it ONLY for the back counter; NOT its people, tables or framing). Make the back counter behind her match it, left to right: the coffee machine at the left end of the counter, the two tall stacks of brown paper cups just to its right, then a small clear box of sugar sticks; under the counter, the grey cabinet doors with the BLUE recycling sticker directly under the paper cups and the GREEN recycling sticker on the next door to its right — never under the coffee machine; on the right end of the counter, a small jar and the steel kettle. The wooden upper cabinets with the built-in microwaves and the water cooler on the right stay as they are. Everything else stays EXACTLY as in @TF-018 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the objects on the back counter and the position of the two recycling stickers. Do not add any text, letters or logos — only the two recycling symbols that are already there. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-018 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 105 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. A view from above of a pepperoni pizza in a dark round pan, with hands taking slices. The slices are uneven — some much bigger than others. Make the pizza cut like a clock face into EIGHT EQUAL slices: straight cuts through the exact centre, every slice exactly the same width. ONE eighth is missing — an empty wedge of dark pan shows where it was, because that slice is already on a plate. The two hands keep lifting their two slices exactly as now (the woman's lace sleeve and the man's green sleeve with the watch), with the same cheese pulls. Same pepperoni, same golden crust, same pan, plates and glasses. Everything else stays EXACTLY as in @RECORTE 105 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY how the pizza is cut. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 105 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 110 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. This table must show the same pizza specialities as the rest of the scene. The big round pizza on the wooden board in the centre front of the table (in front of the girl in the cream cardigan) becomes THE EXACT supreme pizza of @PIZZA SUPREMA , copied from that photo — chunks of meat, green bell pepper, red onion, mushroom and pepperoni, no olives, no red pepper — same size, same board, same slices already taken. The pepperoni pizza on the board at the left stays pepperoni. The wings, breadsticks, plates and cola glasses (with ice, bubbles and condensation) stay as they are. Everything else stays EXACTLY as in @RECORTE 110 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY that one pizza. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 110 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 099 . This is a crop of a larger shot that will be patched back in, so its framing, size and position must match exactly. The Puch mascot costume looks cheap. Make it a premium, professionally made theme-park mascot costume of exactly the same character and design (the character is the one in @PUCH ORIGINAL — use it ONLY for his head and proportions, NOT his black jacket): clean bright-white faux fur with a short, even, dense pile, a smoothly sculpted head with clean seams, a glossy black nose, crisp black eyes, a well-structured red cap with a neat white tuft, and the red-and-black varsity jacket in real fabric — red wool body, black sleeves, black knit ribbed collar and cuffs, a neatly embroidered white 'PP' patch — fitted and clean. Same pose, same hug, same expression, same size and position. The family, the wall and the neon signs stay exactly the same. Everything else stays EXACTLY as in @RECORTE 099 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the finish of the mascot costume. Do not add any other text or logos — only the 'PP' that is already there. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 099 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-074 FINAL . On the closed red pizza box at the bottom right, the small white text printed on the top of the lid, "HECHAS PARA HACERTE FELIZ", becomes a little larger — about one and a half times its current size — in the same white bold font, same four lines, same position near the left of the lid, spelled exactly the same. Everything on the box stays the same: the "SABORES ÚNICOS" band, the line "QUE TE HARÁN SONREÍR", the round logo and the checker pattern. Everything else stays EXACTLY as in @TF-074 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the size of that small text. Do not add any other text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-074 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-096 FINAL . THE PIZZA the waitress carries has a crust that is too tall and puffy, like a stuffed-crust pizza. Replace it with exactly the pepperoni Pan Pizza of @PAN PIZZA 097 — the same pizza that arrives at the table in the next shot: thick, golden pan crust with a crisp, slightly fried edge that is NOT a tall raised rim, evenly covered with pepperoni to the edge — on the same tray, same size, held the same way. Everything else stays EXACTLY as in @TF-096 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the pizza. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-096 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.